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Power Aerobatics
or
Go to Glider
aerobatics.... |
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In the UK the sport of aerobatic
competition flying with powered aircraft has developed its rules over
may years in parallel with the international format laid down for World
and European championships at unlimited and advanced levels. At these
events the Aresti system of aerobatic notation as defined by CIVA
(Commission Internationale Voltige Arienne - the governing body FAI's
aerobatic section) is used to define formalised sequences of aerobatic
figures, the contestants being assessed by a panel of experienced judges
whilst they fly. At most non-championship competitions two or more
sequences of perhaps eight to fifteen figures are flown by each pilot,
the winner being he or she who has the highest cumulative score after
the judges marks have been multiplied by the difficulty coefficient
(known as the 'K') for each figure and any penalties deducted. Accurate
flying of difficult and sometimes extremely complex manoeuvres to
rigidly applied criteria, in front of not only the judges but your peers
as well, is the essence of this sport. For an aspiring champion the
seemingly endless learning curve whilst striving to do the job better
each time provides huge personal rewards.
In Britain we divide the flying into five
distinct competition skill LEVELS and five flight PROGRAMMES
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The five LEVELS
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Beginners
The first step on the
ladder. This is a 'trial' rather than a contest,
nevertheless a daunting prospect at the time for most
contenders. The sequence always comprises the same five
relatively simple "known" figures, but placed in a
different order each year. Very ordinary club aircraft such
as the Cessna-152 Aerobat can win at this level, as there is
no sustained inverted flying. The contestants, particularly
the winner, are strongly encouraged to move up to Standard
at the earliest opportunity.
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Standard
The base "real
aerobatics" level. Usually the most popular class and
often with up to thirty contestants, the flying includes a
wide variety of generally positive-G figures interspersed
with occasional zero-G or transitory fragments of inverted
flying. The wide range of aircraft eligible and the minimal
advantage afforded by high performance types makes it
possible for almost any seriously committed pilot to
participate with as fair a chance of winning as the next.
Contests generally include both 'known' and 'unknown'
sequences, providing great scope for gaining the skill and
experience necessary to move up.
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Intermediate
The pilot is now
invited to exercise his or her skills in a rather more
energetic style of flying that includes inverted flying,
flick rolls, hesitation rolls on vertical lines and in an
environment much more demanding of commitment and ability.
The 'Free' programme is also introduced, requiring the pilot
to design a personal sequence to meet exacting figure and
K-factor criteria, and free-format flying is sometimes seen
through the BAeA's Apprentices arena with its mixture of
Aresti-like figures and the pilots own turn-rounds. The
'mark' aircraft for sequence design remains the venerable
Stampe, still a hard act to beat in the right hands.
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Advanced
The precursor to the top
world-class level. Here the demands are further extended
into rolling circles, tail-slides and rather harder
negative-G 'pushes' to inverted from down-lines, and to
achieve more than occasional success a high-performance
specialist aircraft and a more serious commitment to
training are pre-requisite. The alternating World and
European Advanced Championships established during the
1990's now provide a clear focus for the best advanced
pilots in each country to aim for international honours. In
the UK the 4-minute freestyle is also occasionally on the
menu, and the Apprentices class when this is on offer to
Intermediate pilots.
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Unlimited
The
"world-class" international top level. Slowly
gaining in numbers as the general availability of modern
high-performance carbon-fibre monoplanes gradually improves,
this class represents the ultimate in aerobatic sequence
complexity and extreme personal challenge. Dominated
internationally by a handful of pilots who are fiercely
committed to practice and training schedules that are often
underwritten by commercial or government sources, unlimited
competitions are by their nature more occasional and rather
more serious than those at the lower levels. In the UK we
run two events with unlimited classes, an early-season
affair in Wales (recently Pembrey for the first time) and the British Nationals - which in
recent years has remained at Sywell, Northants.
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The five PROGRAMMES
- 'Known' sequences. These are designed and
published for each level before the season starts, and represent the
most formal aspect of most contests. Each pilot is able to practice
the known at their current level as often as time and resources
allow, so that from the contestants viewpoint there are no surprises
at the contest itself. At international Advanced and Unlimited
events this sequence is often known as the 'Q' or Qualifying
programme, and although a 60% plus score is mandatory to show an
acceptable level of competence the scores themselves are usually
disregarded in the final totals.
- 'Free' sequences. Required from Intermediate
level upwards, here the range of figures allowed without repetition
sets each pilot a 'personal' sequence design challenge whose result
should embody the best possible match between the imposed criteria,
the individuals aviating skills, and the equipment available. For
mid-field pilots this programme often becomes more of a damage
limitation exercise than an attention grabber. Again all should be
well practiced and thoroughly 'known' before the day of the event -
it's too late when the sequence starts!
- 'Unknown' sequences are usually deemed to
represent the major challenge. Designed for each level from Standard
up before the contest but only presented to the pilot on the day of
the event itself, practice is not allowed and hence the sequence
must be flown first-time-right every time in order to achieve good
marks. Although at advanced and unlimited events - particularly the
major championships - these sequences may be constructed on the
previous day from individual figures submitted by the pilots, the
degree of skill, experience and planning required to fly an unknown
successfully generally separates the best from the rest.
- Timed free-style flying. The usual form here
is the internationally accepted "four-minute freestyle",
where the pilot quite literally has a timed four minute slot to
impress the judges and - apart from those relating to safety - few
hard and fast rules are applied. Generally it is technique and
complexity that are rewarded, low-speed gyroscopic propellor effects
being the pilots best friend in the business of tumbling and
cavorting the aircraft about the sky whilst endeavouring to appear
planned and 'in control' ! Penalties are awarded for under or
over-running the time-slot, whilst the main judging criteria are
precision, versatility, harmony and rhythm, and originality....
although at this level the likelihood that anything truly original
will be flown is not high.
- Apprentices and Masters. A BAeA
innovation that attempts to bridge the gap between the formal Aresti
flying and true free-style affairs from intermediate level upwards.
Here up to six particularly challenging or "awkward"
figures that look as though they might be from the Aresti catalogue
but certainly aren't (and hence are most unlikely to
have been practiced beforehand!) are flown by each pilot, but with
free-format turn round elements strongly encouraged in-between the
mandatory bits. The marking balances the two aspects, and provides a
generally less serious interlude to the more formalised Aresti
figure flying.
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To find out which levels and programmes will be
flown at a British contest check the
BAeA
Contest Calendar |
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